Tuesday 25 May 2010

Motown - 1960's

Motown

The Creation of Motown music came from the city of Detroit. The birth of Motown started with the songwriter, Berry Gordy who realised he had a skill for spotting musicians with talent. In 1959 he created the label called “Motown Records”. The first music label to successfully market black artists to white mainstream audiences, Motown Records was responsible for discovering and perfecting a number of American popular music's most significant and successful artists.



Motown is inspired significantly by jazz music as most of the musicians that were hired to play for the label were in jazz club bands before they were picked for the label. Jazz uses many orchestral instruments such as strings, brass and percussion just like many Motown tracks to create a full rich sound. Motown is also very inspired by Rhythm and blues as it is much rehearsed and creates a hypnotic texture which does not make any instrument stand out as a solo instrument.

“Turn on your love light” is a good example of a Rhythm and blues song which influenced Motown music



The reason why the motown songs all have a similar sound is because Berry Gordy hired session musicians to play with the bands and he hired a song writing team to produce hits, these were called Brothers Brian & Eddie Holland and colleague Lamont Dozier. Normally they would have to get the approval of a song from Berry Gordy before the song would be released. If the song is not approved then the writers would rework the song and produce an improved version, the two most notable examples being a pair of Marvin Gaye songs, "I Heard It through the Grapevine" and "What's Going On"


The session musicians were referred to as “the funk brothers.” Were all picked out by Berry Gordy to accompany and go on tour with the artist on his record label. The Funk brothers consist of many different sections like string section, horn section, percussion section as well as conductors and arrangers. Many of these musicians have contributed to the sound of motown and the Funk Brothers band used a number of innovative techniques to develop the Motown Sound.



Motown usually keeps to the rule of keeping everything simple.

Motown usually contains two drum kits playing either over dubbed or playing in unison on a track to make the beat sound more full. In Marvin Gaye’s song “I heard it through the grapevine” the recording includes three drum kits.



There is commonly a use of tambourines to accent the back beat. The bass lines were played on an electric bass and are usually melodic and colourful because the bassist (James Lee Jamerson) usually wrote all the bass lines and he was a very talented musician. The orchestral arrangements are used to elaborate many of the classics on Motown. It usually contained a string section and charted horn sections. Motown music usually contains carefully arranged backgrounds and carefully arranged background vocals with catchy lines and hook lines just look the Supremes song “Someday we will be together”




There are distinctive melody and chord structures. The guitar plays on offbeat chord on a lot of tracks which is a main characteristic of Ska and was perhaps influenced by the genre. There is normally three or four guitar line to make the song sound rich and full.

There is typically a call and response singing style which is very much influenced by Gospel music and gospel choirs. A good example of this is the supreme’s song “where did our love go”



Motown lyrics are usually about love, as the musicians and songwriters were trying to make singles to make it in the charts they would choose a topic that people can relate to. Lots of motown songs tell stories this was possibly influenced by blues artists and country artists who have lots of meaning in their lyrics.

In the pictures below you can see that the musicians and artists are dressed in uniform and smart clothing. This is because Motown music is organised and well presented. Normally the lead singer would be in the middle or slightly in front of the backing singers this is because Motown music is organised and preformed well by the artists.








Most of the Motown artists were African American; Motown allowed white people to hear music from the black culture without it being processed or touched by a white man.

Motown music emerged at a time when the mass struggle for civil rights and social and racial equality had a profound impact on youth. This is what Smokey Johnson said about Motown’s cultural impact.

“I recognized the bridges that we crossed, the racial problems and the barriers that we broke down with music. I would come to the South in the early days of Motown and the audiences would be segregated. Then they started to get the Motown music and we would go back and the audiences were integrated and the kids were dancing together and holding hands.”

Some of Motown’s best sellers would go on to provide the foundation for some of the most well known breaks of many hip hop songs. Run DMC, sampled the Temptations’ classic “Papa Was a Rolling Stone”, while Public Enemy used some of the Temptation’s less popular songs, such as “Psychedelic Shack” and “I Can’t Get Next to You”.



Motown inspired and influenced so many famous popular artists which are in the charts today. Female singers such as Beyoncé and Mariah Carey obviously take factors from motown stars Diana Ross, Martha Reeves and Gladys Knight. The way they perform, the way the music is arranged, the way they look is all in some way influenced by Motown artists. Kanye West and Justin Timberlake are noticeably influenced by Michael Jackson, Smokey Robinson, and Marvin Gaye.




Motown is an extremely important genre in the history of music and inspired most of today’s artists but it not only bridge racial and generational gaps, but it also succeeded in crossing cultures.

Saturday 22 May 2010

80s Two tone

Two Tone


The first wave of Ska developed in the early 1960s in Jamaica. The Jamaicans heard the sound of new Orleans R&B being broadcast over the radio and decided to combine elements of Caribbean music and calypso with jazz and rhythm and blues. Some of the most influential ska musicians include the Skatalites, Prince Buster and Rico Rodriguez.
“Slimmer down” by the Skatalites is a strong and good example of ska music




In the late 1970s, new bands in Britain took the fundamentals of Ska and combined it with the energy and feel of punk. The specials were seen as the leading group of the second wave of Ska. They formed their own independent record label called 2-tone which became the name most commonly used for this genre of music. It was founded and led by jerry Dammers. Two Tone offered musicians a good chance to start their music career by letting them release one single and then move on to a different label. Many of the major 2nd wave ska bands were featured on 2-tone records like Madness, the Beat, and Selecter



Although Two Tone was seen as being fun and new it also became a major commentary on the society and the politics of the time and featured inter racial bands which was a bold statement at the time. The Beats song “stand down Margaret” had a clear and strong message about how they felt about the politics of the time. “Too much too young” by the specials was about teen pregnancy and has deep lyrical meaning. Some 2-tone bands sing about their influences and the roots of ska. They use phrases such as “rude boy” which was used as nickname for youth in Jamaica who had no jobs and were wasting their time, but later the phrase “rude boy” was giving to youths who displayed a certain coolness and style. The body snatchers Single was called “let’s do the rock steady” which was a reference to a genre which was heavily influenced ska music. Madness’s first single “the prince” was a dedication to prince buster who was regarded as an important figure in the history of ska music and influenced many ska musicians. However some two tone bands did not have any meaning behind their lyrics and were all about having fun, like bad manners.

In the pictures below you can see the similarities of the images of the first ska wave band “the Skatalites” and the 2-tone band “the Specials”. There are quite a lot of members in the band because of all of the instruments used in ska. Each band seems to be quite smartly dressed and have suits on. The differences is that 2-tone bands are more multiracial but that was because of the society of Britain at the time



Two Tone



As you can see in many of the 2-tone music videos, The bands had a punk energy and were dancing and jumping around pretty much all the way through the songs. This energy can be shown in the video below which is “lip up fatty” by bad manners



Two Tone included strong characteristics from the first ska wave. The brass section played the main melody lines; the guitars played heavily accented offbeat rhythms. The tempo was much faster in two tones than first wave ska, which gave it more of a punk feel. There are a lot of vocal harmonies and a lot of repeated vocal lines, sometimes the vocals have lots of delay, and this is also commonly used in the first wave of ska. The bass usually played a walking bass line. The drums are normally simple beats and don’t include any complicated rhythms. The song structures were usually simple and included a lot of repeated sections. A good example of these elements in two tones is “a message to you Rudy” by the specials



Two tones went on to influence and inspire the 3rd wave of Ska which was mainly based in United States in the late 1980s. Many third wave bands like reel big fish, Mighty Mighty Bosstones and the toasters kept many of the features from the 1st and 2nd waves of Ska, like heavily accented offbeat rhythms and strongly characterised by brass instruments but the 3rd wave focused more on the music than the message behind the lyrics. Many of the third wave bands had great commercial success and some of them featured in motion pictures and became soundtracks for the movies
For example, reel big fish’s cover of “take on me” was the main track to the movie Baseketball



Ska has been fused with many different genres and come back refined so many times. There is a high chance that a new wave of Ska will be heading our way in the future.





links

http://www.youtube.com/watch?v=O9HyXc4e7Qc
http://www.youtube.com/watch?v=F6fQnTyEniM
http://www.youtube.com/watch?v=ofq7sCDuhGo
http://www.youtube.com/watch?v=GqlzVeq1S0o
http://skascene.webs.com/SKATA.jpg
http://justwilliam1959.files.wordpress.com/2009/03/specials-pole.jpg

Sunday 18 April 2010

1970s Disco

Like all musical genres, it is hard to point out a single point of development of disco, as many characteristics and elements of disco could be found in earlier tracks. However many people agree that disco had truly been recognised in 1973 and just got more and more popular throughout the decade. Disco had many influences like soul, funk, salsa, Latin music and motown. Disco had been heavily influenced by funk music. Orchestral instruments such as Brass, strings and woodwind would take the lead melody, unlike Progressive rock and punk where the line up doesn’t include more than guitars, keyboards, bass and drums. Funk and Disco are very upbeat and are composed to make you dance and move around and party.

The two main cities involved in the development of disco music were New York and Philadelphia. The Philly sound was a style of soul music which included lush instrumental arrangements, often including sweeping strings and very jazz influenced. The Philly sound laid out the groundwork for disco. The disco sound was to some extent shaped by the American producer, Tom Moulton. He wanted to extend the enjoyment in music, so he created a mix tape of all of the best parts of dance songs. This was very important for the technology side of music as well as the creation of disco. In 1977, Giorgio Moroder became responsible for a huge development in disco. Giorgio helped write and produce the song “I feel love” by Donna summers. This song became the first well-known disco hit to have a completely synthesized backing track. This song pushed the boundaries of Disco and all music and even today the song is still considered to have been well ahead of its time.



The main characteristics of disco were the off-beat hi hat, 4 to the flour drum. The bass normally played a heavily syncopated bass line. There was often reverberated- vocals and lots of effects on many of the instruments. The guitars usually played “chicken scratch” rhythm and usually used a lot of wah which is common in funk and soul. The orchestra would usually play small phrases and themes in-between verses.



The production of disco is very professional and very costly unlike the raw sound and DIY attitude of punk rock. Production was expensive because each disco track usually included an average pop line-up, several percussion instruments, a string section, a brass section and a variety of “classical” solo instruments.

The lyrical content and the attitude of disco were mainly revolved around dancing and partying. For example, the movie Saturday night fever was about dancing and the whole sound track was full of disco tracks from important disco bands like “Bee Gees, kool & the gang and Tavares”

Another good example of disco songs which sing about dancing and having a good time is “sly & the family stone” with their hit “dance to the music”.



The image of disco reflected the attitude of the music. They wore bright, psychedelic clothes which give of a sense of going out, partying and having a good time. They wore sparkling and fancy clothes which give off the attitude that they wanted to go out and party all night. The afro was a big part of the image in disco mainly because allot of artists in disco were African American and that was their usual hair style. Here are a few pictures which show the style and image of disco.






Disco had a major influence on dance music. Dance music depends a lot on synthesises and computer software. Disco started introducing all of this technology towards the end of the 70s. Dance music also includes four to the floor, and rasping hi hat drums, lots of effects used on the vocals including reverberation and echo. All these Characteristics can be directly traced back to disco music in the 70s.
This track shows the offbeat hi hat and the four to the floor drum beat which was made popular by disco.



Disco was seen as white man’s music even though many of the artists were black. This theory led to the creation of hip hop. Young black men started to rebel against the disco movement and created a music genre of their own. In the 80s disco seemed to disappear and was forced out by punk rock and hip hop and other genres. Although there may be isn’t many disco artists around now but we can definitely see the impact that disco had made on the music today.



http://www.youtube.com/watch?v=1K7fL5s_1ac

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2Jz09SMvZknmIfXCm7WL_5pIcDn7X00KuGSmIa1vztxbmraqil-5V70ViZWE1o3ZrgoE424IVoEK_wb2sizNepksm7QeNoP7-pxAEitHNqvJWEd4x8E9tOv2zL-Ytq1X9GX8pqVgE-FP2/s400/Sly-family-stone-1969-promo%5B1%5D.jpg

http://www.ultimatepartyshop.com/shopimages/products/normal/22170%20disco%20whites.jpg

http://blogs.guardian.co.uk/observermusic/bee%20gees%20GD5791397

http://www.youtube.com/watch?v=DkP5roFukKY


http://www.youtube.com/watch?v=IHWeuQyFouo

http://www.youtube.com/watch?v=vFox61M_0Fw

Saturday 14 November 2009

the 1990s - Black Metal

BLACK METAL


“On 8 April 1991, Ohlin (lead singer from mayhem) committed suicide in his own home.”

“Eithun was convicted of murdering Magne Andreassen, a gay man, by fatally stabbing him in Lillehammer Norway on 21 August 1992”

“On 6 June 1992, Fantoft Stave Church was destroyed by arson.”


“On August 10, 1993, Oystein Aarseth died as a result of numerous stab wounds sustained during a violent confrontation with fellow musician Varg Vikernes.”

The main responsibility for these crimes is pointed towards Black metal and the culture behind the music.

In the late 60s, Bands like Led Zeppelin, Black Sabbath and deep purple are known to be the first recognised heavy metal bands. They still refered to their blues roots but add more aggressive tones, distorted guitars and strong vocals. However in the mid 70s bands such as judas priest discarded the blues roots and added further to the development of metal music.
Over time bands kept on making metal more aggressive and faster. Then the underground scene then produced a selection of more extreme, aggressive styles such as Death metal, thrash metal and Black metal.

The three main bands to inspire the movement of black metal were Venom (Newcastle), Celtic frost (Switzerland), and Bathory (Sweden). These bands were releasing songs in the early 80s and were known as the first wave of black metal. Venom’s 1982 album “Black metal” has inspired many black metal bands in the second wave, with its raw production and its distorted sound. It is also where the name black metal arrived from. These bands have also influenced black metal bands visually as well. The covers usually contain sharp contrasts, unusual fonts and black, dark backgrounds.

First wave






Second wave







Black metal in the early 1990s has a unique sound and many elements which you would not find in over genres. Some of the features of the music included high pitched screams or shrieks and no melody to the vocal line; this was very much inspired by the first wave bands. The guitars are distorted and include a lot of minor chords which can relate to the lyrical content of the music and the points they are trying to put across. The guitarists normally use techniques like tremolo picking which is alternative picking usually repeated on the same note. The drums usually play a blast beat, which is a fast drum pattern. The bass guitar is usually less important than the rest of the instruments. Black metal tries to keep clear from popular song structures and includes lots of instrumental sections.

These singles and albums are main examples of black metal in the 1990s:









Aske EP – Burzum (1993)

The production is very raw and does not cost much to record. Varg Vikernes from Burzum makes it quite understood that the black metal bands did not care much for the sound and tone of the album and sometimes even tried to make it sound less professional, he writes “When I recorded all the Burzum albums I used an old Weston guitar that I bought cheap. The bass I used was the cheapest bass guitar they had in the shop. When it came to drums I simply borrowed a drum kit from the drummer of Old Funeral. On "Filosofem" I didn't use a guitar amplifier at all, but instead used only the amplifier on my brother's stereo (that of course was not intended for that use) and some old fuzz pedals. For "singing" I used whatever microphone the sound technician handed me, or - when I recorded "Filosofem" - I asked for the worst microphone he had, and ended up using the microphone in a headset.”


Black metal has an exclusive sound and uses different techniques but black metal is arguable more focused on the lyrical meaning and the point behind the music than the actual music itself. The main theme in black metal lyrics is anti-religious and anti-Christian. The reason for this theme is because Norway (where most of the black metal bands come from) was invaded by Christians which built churches all over Norway. This can link to other genres like britpop which was very patriotic. So many bands use their lyrics to put their point across, but some bands go further and this results in churches and religious places being burnt down.



Many black metal bands do not perform live because lots of black metal bands are projects with no more than two or three people. When black metal bands do perform they often use props. They usually wear inverted crosses to support their believe of anti-Christian and anti-religion. Many black metal bands wear black and white make up and sometimes complete with blood, this is meant to produce the appearance of a corpse. This can to some extent link to other genres around this time like girl power which the groups in general wear similar uniform.




All though black metal still remains, some bands try to break into the mainstream and move away from the guided outlines of black metal. A good example of this is Progenies of the Great Apocalypse by “Dimmu Borgir”. In this song, the band uses clean, melodic vocal lines and their production is rich and does not sound raw. Although the traces of black metal are there, many black metal fans say this music is not true black metal.



Black metal has gone on to influence many subgenres of heavy metal. Deathcore and Metalcore uses elements of black metal such as the high pitched scream, blast beating and the tremolo picking guitars. There has also been many Mixed genres of black metal such as ambient black metal, folk and viking black metal, and Symphonic Black metal.

Taking everything into account, you could argue whether music is so important for black metal followers or is it just second place to the message they are putting across.

So is black metal really a genre of music or just another culture?



Information
http://en.wikipedia.org/
http://en.wikipedia.org/wiki/Black_metal
http://en.wikipedia.org/wiki/Dead_(musician)
http://en.wikipedia.org/wiki/Fantoft_stave_church
http://en.wikipedia.org/wiki/Faust_(musician)
http://www.burzum.org/
http://themusicsover.wordpress.com/2009/08/10/oystein-aarseth/

Links to music videos
http://www.youtube.com/

Matthew Gleason